>Any thoughts as to which fonts are better on the eye BOTH in person >and via computer is much appreciated. > >Kirsten Bonanza You're right, some fonts that look great on paper don't look so good on the screen, and vice versa. The biggest reason for this is resolution -- the pixels on any screen are much bigger than the units of ink (or toner) being put down by printing, even lousy printing. So fine details can get lost on screen, or muddy things up. And some fonts are built *only* for on-screen use, but your printer or output shop should flag that sort of mistake. Screen vs paper has other differences, too -- paper reflects light, screens emit light, and so on -- but they affect choices like color, contrast, and size more than type choice. Going back a step, what sort of game is this? Must your screen and hardcopy look the same? It's a real challenge doing design that will look good in both. Back to the fonts, some fonts have been designed expressly to look good on screen. The two gold standards are Verdana -- sans serif Georgia -- serif Avenir looks good on paper and screen, as do various weights and widths of the Univers family. So can Helvetica, even if that's not a face I personally like. The Linotype site has a section of fonts which they recommend for screen use, so may other type foundries. Finally, make sure to try out your designs on a variety of people and platforms. Does it show up on their device the way it looks on yours? Big screens, little screens, old eyes, young eyes, get some feedback. Enough for one post. Hope this helps, I'd be happy to discuss this or work on it further with you, -- Eric A. Cohen | FloCo -- Florence Communication eac2222 at gmail.com