Hi Will, You're right, normalize will boost everything. On second thought, I think you'll need to use a combination of compressor/limiter/ normalization filters. A compressor would compress the difference between the loudest and softest parts of your recording (dynamic range). And a limiter would place a ceiling on audio spikes above a certain threshold. Audacity has a compressor, that will also allow you to set a threshold, as well as adjust the attack time, which is how much time ensues before the compressor kicks in. It also normalizes too. Good luck, Kimo AZURELINK :: "Simply Connected!" ------------------------------------------------------------------------ ------- Web Site Design & Scalable, Managed Web Hosting Joomla! Content Management System Implementation eCommerce Development ------------------------------------------------------------------------ ------- 58 Cottage Street, Suite 1 Amherst, MA 01002-2125 Telephone: (413) 549-2020 Fax: (413) 825-8344 For more information, please visit: www.azurelink.net ------------------------------------------------------------------------ ------- On Feb 19, 2008, at 1:51 PM, Will Loving wrote: > Thanks Kimo, I’ve been playing with a Normalizing filter in one > program I have but it still takes the loudest spike as the top end. > I’ll try some others and see if I get better results. > > Will > > Will Loving, President > Dedication Technologies, Inc. > > > > on 2/19/08 12:17 PM, B. Kimo Lee at bklee at azurelink.com wrote: > >> Hi Will, >> >> I'm no super expert on this, so take this with a grain of salt. >> You can try applying a "normalizing" filter to your track. That >> should stop the foot percussion from pegging. That's a start... I >> know Audacity has a normalizing filter in its effects list. Have >> fun! Just like Tom said, getting the best quality original is >> always preferred. Btw, the Shure site has some good educational >> articles in their Pro Audio support area on how to mic different >> types of venues for best quality recording. >> >> Hope that was helpful, >> Kimo >> >> >> >> >> AZURELINK :: "Simply Connected!" >> --------------------------------------------------------------------- >> ---------- >> Web Site Design & Scalable, Managed Web Hosting >> Joomla! Content Management System Implementation >> eCommerce Development >> --------------------------------------------------------------------- >> ---------- >> 58 Cottage Street, Suite 1 >> Amherst, MA 01002-2125 >> Telephone: (413) 549-2020 >> Fax: (413) 825-8344 >> For more information, please visit: www.azurelink.net <http:// >> www.azurelink.net> >> --------------------------------------------------------------------- >> ---------- >> >> >> >> On Feb 18, 2008, at 5:16 PM, Will Loving wrote: >> >>> ** The author of this post was a Good Dobee. >>> ** You too can help the group >>> ** Fill out the survey/skills inventory in the member's area. >>> ** If you did, we all thank you. >>> >>> >>> I’m looking for a quick tip or two from anyone who might have >>> experience with audio editing on improving some live recordings >>> I’ve been making recently at contra dances (with the permission >>> of the musicians, of course). I’m using a Zoom H4 digital >>> recorder ( http://www.samsontech.com/products/productpage.cfm? >>> prodID=1901 ) which does an excellent job, but my lack of >>> experience with post-production is becoming clear as I try to >>> figure out how to improve the overall recording and deal with >>> some issues particular to the kind of music I’m recording. >>> >>> I’ve posted two short clips (uncompressed WAV) that illustrate >>> what I’m trying to work with, the wonderful band Nightingale, and >>> particularly Keith Murphy’s Québéquois style foot percussion. >>> >>> http://dedicationtechnologies.com/loving/music/PercussionClip1.wav >>> http://dedicationtechnologies.com/loving/music/PercussionClip2.wav >>> >>> The foot percussion is too loud and creates spikes throughout >>> the waveform. What I’m hoping for is someone to say something >>> like “try setting the EQ to ....” or “use a compressor (or >>> limiter) set to (approx)...” Any suggestions on improving overall >>> quality would also be welcome. At some point I’d love to sit down >>> with someone who really knows this kind of editing and get a more >>> solid foundation, but for now I have to learn it in bits and >>> pieces due to time constraints. >>> >>> I’m on a Mac, and my available tools are Soundtrack 1.5 which >>> I’m somewhat familiar with, Audacity which I’m a little familiar >>> with but find pretty clunky compared to Soundtrack, and possibly >>> an old copy of Amadeus. I also have the latest GarageBand but >>> have never used it for Audio editing. My preference would be to >>> continue with Soundtrack, but I’m open to trying something else >>> (probably GarageBand). I’m guessing that the filter settings will >>> be similar regardless of the app... >>> >>> Many thanks in advance. >>> >>> Will >>> >>> Will Loving, President >>> Dedication Technologies, Inc. >>> >>> >>> >>> -- >>> >>> William M. Loving >>> Dedication Technologies, Inc. >>> 7 Coach Lane >>> Amherst, MA 01002-3304 USA >>> will at dedicationtechnologies.com >>> Tel: +1 413 253-7223 (GMT –5) >>> Fax: +1 206 202-0476 >>> >>> _______________________________________________ >>> Hidden-discuss mailing list - home page: http://www.hidden-tech.net >>> Hidden-discuss at lists.hidden-tech.net >>> >>> You are receiving this because you are on the Hidden-Tech >>> Discussion list. >>> If you would like to change your list preferences, Go to the Members >>> page on the Hidden Tech Web site. >>> http://www.hidden-tech.net/members >>> >> >> > > > > -- > > William M. Loving > Dedication Technologies, Inc. > 7 Coach Lane > Amherst, MA 01002-3304 USA > will at dedicationtechnologies.com > Tel: +1 413 253-7223 (GMT –5) > Fax: +1 206 202-0476 -------------- next part -------------- An HTML attachment was scrubbed... URL: http://lists.hidden-tech.net/pipermail/hidden-discuss/attachments/20080219/b7e65f4d/attachment-0005.html